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Kleidung. Feste Schuhe. Werkzeug. 24/7 bereit. Das Nötigste stets im Rucksack. Gerd Habel und sein Hund Jago sind ehrenamtliche Bergungsspezialisten – zusammen suchen sie nach vermissten Menschen – in Deutschland. Ohne Hund auch weltweit. Eine Katastrophe kann jederzeit kommen – mit diesem Gedanken im Kopf trainiert Gerd für den Ernstfall.

23 min | 2k
1,85:1 | 2020

Sein Engagement hat ihn bisher in die Katastrophengebiete von Mexiko, Nepal und Indonesien gebracht. Wenn das „search and rescue“ Team von I.S.A.R. Germany zum Einsatz muss, dann ist schnelles Handeln gefragt - die Überlebenswahrscheinlichkeit der Opfer sinkt von Tag zu Tag.

A man in a helmet and gloves works outdoors at dusk, adjusting a tarp. The background shows a building and trees, creating a focused, determined mood.

Kleidung. Feste Schuhe. Werkzeug. 24/7 bereit.

A man in a helmet and gloves works outdoors at dusk, adjusting a tarp. The background shows a building and trees, creating a focused, determined mood.

Kleidung. Feste Schuhe. Werkzeug. 24/7 bereit.

A man in a helmet and gloves works outdoors at dusk, adjusting a tarp. The background shows a building and trees, creating a focused, determined mood.

Kleidung. Feste Schuhe. Werkzeug. 24/7 bereit.

A man in a helmet and gloves works outdoors at dusk, adjusting a tarp. The background shows a building and trees, creating a focused, determined mood.

Kleidung. Feste Schuhe. Werkzeug. 24/7 bereit.

Verdichten sich die Hinweise seitens der Vereinten Nationen auf die Möglichkeit eines internationalen Hilfeersuchens, so werden die I.S.A.R. Germany-Einsatzkrafte über eine spezielle Alarmierungsschleife in Voralarm gesetzt.

A man with a beard and an eyepatch looks intently through a narrow window, illuminated by a warm light, conveying focus and curiosity.
A man with a beard and an eyepatch looks intently through a narrow window, illuminated by a warm light, conveying focus and curiosity.
A man with a beard and an eyepatch looks intently through a narrow window, illuminated by a warm light, conveying focus and curiosity.
A man with a beard and an eyepatch looks intently through a narrow window, illuminated by a warm light, conveying focus and curiosity.
A man with a beard and an eyepatch looks intently through a narrow window, illuminated by a warm light, conveying focus and curiosity.
A man with a beard, wearing a headband, faces a glowing circular device in a dimly lit room, evoking a futuristic and focused atmosphere.
A man with a beard, wearing a headband, faces a glowing circular device in a dimly lit room, evoking a futuristic and focused atmosphere.
A man with a beard, wearing a headband, faces a glowing circular device in a dimly lit room, evoking a futuristic and focused atmosphere.
A man with a beard, wearing a headband, faces a glowing circular device in a dimly lit room, evoking a futuristic and focused atmosphere.

Nach sechs Stunden können sie am jeweiligen Abflughafen innerhalb Deutschlands zum Abflug bereitstehen. Gerd Habel ist Teil dieses Teams

Worker in blue overalls and safety helmet chisels concrete in a narrow space, concentrating intently. Dust particles float in the air, creating a gritty atmosphere.
Worker in blue overalls and safety helmet chisels concrete in a narrow space, concentrating intently. Dust particles float in the air, creating a gritty atmosphere.
Worker in blue overalls and safety helmet chisels concrete in a narrow space, concentrating intently. Dust particles float in the air, creating a gritty atmosphere.
Worker in blue overalls and safety helmet chisels concrete in a narrow space, concentrating intently. Dust particles float in the air, creating a gritty atmosphere.

Jährlich wird auf Trümmerfeldern geübt – mit und ohne Hund – damit im Ernstfall jeder Handgriff sitzt. Weltweit einsatzbereit, jederzeit.

Konzept

Für den Zuschauenden ist es kaum greifbar, was Gerd bei seinen Einsätzen erlebt. Ein Jahr lang saß das Filmteam auf gepackten Sachen, um bei einer möglichen internationalen Naturkatastrophe mitzufliegen. Doch ungewöhnlicherweise gab es in dem Jahr keinen Einsatz – das Konzept, einen bewussten Bruch in Bild und Tonsprache durch den Einsatz zu gestalten, konnte so nicht umgesetzt werden.

A bearded man in a red and black jacket sits pensively at a table in a dimly lit room with bags and equipment. The mood is contemplative and focused.
A bearded man in a red and black jacket sits pensively at a table in a dimly lit room with bags and equipment. The mood is contemplative and focused.
A bearded man in a red and black jacket sits pensively at a table in a dimly lit room with bags and equipment. The mood is contemplative and focused.
A bearded man in a red and black jacket sits pensively at a table in a dimly lit room with bags and equipment. The mood is contemplative and focused.
A bearded man in a gray jacket and beanie climbs a steep blue roof, focused and determined. A second person is blurred in the background.
A bearded man in a gray jacket and beanie climbs a steep blue roof, focused and determined. A second person is blurred in the background.
A bearded man in a gray jacket and beanie climbs a steep blue roof, focused and determined. A second person is blurred in the background.
A bearded man in a gray jacket and beanie climbs a steep blue roof, focused and determined. A second person is blurred in the background.
A man in a hard hat and work clothes crouches under large concrete pipes in a dim industrial setting, evoking a tense, gritty atmosphere.
A man in a hard hat and work clothes crouches under large concrete pipes in a dim industrial setting, evoking a tense, gritty atmosphere.
A man in a hard hat and work clothes crouches under large concrete pipes in a dim industrial setting, evoking a tense, gritty atmosphere.
A man in a hard hat and work clothes crouches under large concrete pipes in a dim industrial setting, evoking a tense, gritty atmosphere.

BEHIND
THE SCENE

Regie :

Julius Schmitt

Regie :

Julius Schmitt

Regie :

Julius Schmitt

Regie :

Julius Schmitt

Produktion :

Max Baumeister/ Marlene Meyer

Karmera:

Arkadiy Kreslov

Sound:

William Amsler

Motion Design:

Timm Volkner

Editing

Martin Mikosch

Filmmusik:

Johannes Schmitt

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for a Porject, Film discussion or for a good coffee

Let`S
COLABORATE

for a Porject, Film discussion or for a good coffee